Style
Beyond
The Screen
Welcome to Cinema Tailor, where the essence of
classic menswear meets cinematic inspiration.
Latest
The Man from U.N.C.L.E. Style: Windowpane, Three Piece and French Cuffs
Guy Ritchie's 1963 spy caper dresses Napoleon Solo as a thief who steals like a gentleman and bills like one: a teal windowpane check that frames the chest like a picture, a f
More from the journal
The Gentlemen Style: Gilet, Tattersall and a Waxed Jacket
Guy Ritchie's 2019 country empire dresses for the weather first and the room second: a quilted gilet that armours the tailoring without burying i
Heat Style: A Charcoal Suit, Tonal Dressing and a Spread Collar
Michael Mann's master thief dresses to be forgotten: charcoal grey that keeps its weave under every street light, a front kept in one close regis
Wall Street Style: Contrast Collar, Pinstripe and a Pocket Square
Oliver Stone's 1987 corporate raider wrote the power dressing playbook: a white collar on a coloured shirt that frames the knot like a picture, u
A Single Man Style: Horn Frames, a Collar Pin and a Slim Black Tie
Tom Ford's 1962 professor wears one dark suit and a white shirt, and the whole effect lives in three small things around the face: heavy black fr
Good Will Hunting Style: The Peacoat, Flannel Shirt and Henley
Will Hunting owns almost nothing and every piece of it earns its place. Three things make the South Boston winter uniform work: a navy melton peacoat
When Harry Met Sally Style: Cable Knit, Corduroy and the Trench
Autumn in New York is the third lead of the film, and Gloria Gresham dresses both leads for it in texture rather than colour. A cable knit that builds
Mad Men Style: Grey Flannel, the Tie Bar and Braces
Don Draper treats an office as a stage and dresses accordingly. Three things hold the performance together: grey flannel that reads like money, a tie
Rush Style: The Racing Jacket, the Denim Shirt and the Silk Scarf
James Hunt dressed for the paddock and ended up setting a template for the weekend. Three things do the work: a racing jacket with a reason to exist,
The Godfather Style: Peak Lapels, Turn-Ups and the Pocket Square
Michael Corleone never raises his voice and never needs to. Three things carry the authority: a peak lapel that lifts the chest, a turn-up that settle