Style
Beyond
The Screen

Welcome to Cinema Tailor, where the essence of
classic menswear meets cinematic inspiration.

Latest

Good Will Hunting Style: The Peacoat, Flannel Shirt and Henley

Will Hunting owns almost nothing and every piece of it earns its place. Three things make the South Boston winter uniform work: a navy melton peacoat that reads like weight, brushe

More from the journal

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  When Harry Met Sally Style: Cable Knit, Corduroy and the Trench

  Autumn in New York is the third lead of the film, and Gloria Gresham dresses both leads for it in texture rather than colour. A cable knit that builds

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  Mad Men Style: Grey Flannel, the Tie Bar and Braces

  Don Draper treats an office as a stage and dresses accordingly. Three things hold the performance together: grey flannel that reads like money, a tie

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  Rush Style: The Racing Jacket, the Denim Shirt and the Silk Scarf

  James Hunt dressed for the paddock and ended up setting a template for the weekend. Three things do the work: a racing jacket with a reason to exist,

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  The Godfather Style: Peak Lapels, Turn-Ups and the Pocket Square

  Michael Corleone never raises his voice and never needs to. Three things carry the authority: a peak lapel that lifts the chest, a turn-up that settle

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  Ocean's Eleven Style: The Shawl Lapel, the Bow Tie and the Patent Toe

  Danny Ocean wears black tie as though it were a work uniform, because for him it is. Three things make it look easy: a shawl lapel that runs unbroken,

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  Catch Me If You Can Style: The White Shirt, Epaulettes and a Slim Tie

  Frank Abagnale never talked his way past anyone. The uniform did it for him. Three pieces carry that trick: a plain white shirt, a shoulder with rank

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  Layer Cake Style: The Slim Suit, the Knit Tie and the Crew Neck

  The character has no name and the wardrobe does the introducing. Three things carry it: a suit cut close, a knit tie that ends flat, and a crew neck w

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  Once Upon a Time in Hollywood Style: Suede, Camp Collars and Moccasins

  Cliff Booth is the most relaxed man in the film and the best dressed. Three pieces do it: a suede jacket that moves with you, a camp collar shirt, and

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  The Thomas Crown Affair Style: One Inch of Cuff, One Break, One Colour

  Thomas Crown wears the most expensive tailoring in nineties cinema and none of it announces itself. Three measurements explain the whole effect: an in