Style
Beyond
The Screen
Welcome to Cinema Tailor, where the essence of
classic menswear meets cinematic inspiration.

Latest
The Godfather Style: Peak Lapels, Turn-Ups and the Pocket Square
Michael Corleone never raises his voice and never needs to. Three things carry the authority: a peak lapel that lifts the chest, a turn-up that settles the trouser, and a white squ
More from the journal

Ocean's Eleven Style: The Shawl Lapel, the Bow Tie and the Patent Toe
Danny Ocean wears black tie as though it were a work uniform, because for him it is. Three things make it look easy: a shawl lapel that runs unbroken,

Catch Me If You Can Style: The White Shirt, Epaulettes and a Slim Tie
Frank Abagnale never talked his way past anyone. The uniform did it for him. Three pieces carry that trick: a plain white shirt, a shoulder with rank

Layer Cake Style: The Slim Suit, the Knit Tie and the Crew Neck
The character has no name and the wardrobe does the introducing. Three things carry it: a suit cut close, a knit tie that ends flat, and a crew neck w

Once Upon a Time in Hollywood Style: Suede, Camp Collars and Moccasins
Cliff Booth is the most relaxed man in the film and the best dressed. Three pieces do it: a suede jacket that moves with you, a camp collar shirt, and

The Thomas Crown Affair Style: One Inch of Cuff, One Break, One Colour
Thomas Crown wears the most expensive tailoring in nineties cinema and none of it announces itself. Three measurements explain the whole effect: an in

Drive Style: The Satin Jacket, Driving Gloves and Raw Denim
The Driver says almost nothing and his clothes say all of it. Three pieces do the work — a satin bomber that catches light, gloves that give grip, and

The Untouchables Style: The Fedora, the Waistcoat and the Trench Coat
Eliot Ness wins because he looks like the law before he says a word. Three pieces build that silhouette — a fedora, a wool waistcoat and a long belted

Tenet Style: The Soft Shoulder, the Open Collar and Cashmere
The Protagonist wears the least memorable suit in modern cinema, and that is the point. Three choices do it — a soft shoulder, an unbuttoned collar an

American Psycho Style: Double-Breasted Suits, Braces and Tortoiseshell
Patrick Bateman's wardrobe is the most disciplined in eighties cinema and it is worn as a disguise. Three pieces carry it — the double-breasted j